Le Commandant Tchico - Full Steam Ahead! (1985)

Full Steam Ahead! describes my life pretty well at the moment, and this album from Tchico is one that fits the rhythm of activity that has kept me offline, most of the time. Straight-ahead soukous at the right time is the perfect music to get you off your butt and doing things. Dancing would be good, but that will have to wait for me.

I'm at a brief pause in what has been and will be an enormous undertaking to relocate after many years in Alaska. So over the next few days I hope to post a couple more choice albums-in-waiting. I'll also be reviewing the new, important album from Femi Kuti. I received it just days after seeing the fantastic performance Fela! in Seattle. Google "Fela on Broadway" and if the performance is within hundreds of miles, go see it: Brilliance. In the meanwhile, rock to this fine album that helped ignite the worldwide "world music" market in the mid-80s.

Enjoy!

Review: Orchestra Super Mazembe – Mazembe @45RPM Vol. 1

My knowledge and appreciation of African music has been tremendously enriched over the past few years by comrades in the blogosphere who tirelessly search for elusive treasures that appeared only on 45 rpm singles. Singles were much more affordable for consumers than albums, in Africa as elsewhere, and they also were a way for a band to quickly record and release hot new songs to waiting fans. Some really great music only appeared on 45s, and much of that has disappeared.

As rich and valuable a reservoir for lost, important music as the dispersed internet library is, it is a great pleasure when a passionate music expert collects a bunch of pristine sound and publishes it. Doug Paterson has had a fruitful relationship with Stern's for years, having produced many wonderful albums including one I reviewed on this site nearly three years ago, as well as last year's Vijana Jazz release here. This new Orchestra Super Mazembe release is, in a word, spectacular. Check this first track:



One of the premiere Congolese bands operating in Kenya during the '70s and '80s, Super Mazembe was immensely popular. A dozen years ago Earthworks issued a compilation called Giants of East Africa, which remarkably is still in print and available. Continued access to that recording reflects continuing demand; it's easily explained: There is something quite magical about how Congolese rumba evolved in Kenya, and also in Tanzania, to include new nuances. Guitars influenced by benga and other Kenyan styles, different rhythms: there is a certain lightness to this rumba that makes it extremely infectious.

The nine songs (over 77.5 minutes) collected on this album come from 45s recorded in the late '70s and the early '80s; as the liner notes describe, each song has a four-part structure allowing for revving up the dance rhythms, and for various solos. These tracks, which originally spanned the A and B sides of a 45, are happily spliced together, allowing the majesty of each composition to flow freely. I have no trouble recommending this release wholeheartedly; in fact, I have been playing it frequently since it graced my mailbox.

You can find inferior digital copies available at the usual music download stores, iTunes and Amazon, but actual CDs, with all the important liner notes, are available in Europe or from Europe. Not, to date, in the U$A. I also noticed that there is a Volume 2 on the way. I can't wait!!

Zao – Ancien Combattant (1984)

At a time when revved up soukous was the Congolese component of the burgeoning "world music" marketing phenomenon, and when two generations of rumba bands were battling for popular hegemony in the Congo, Casimir "Zao" Zoba released this album that opens with a musical call-to-arms parody. More folkloric than soukous, the anti-war title track "Ancien Combattant" nevertheless became a hit.

Zao's songs addressed social issues with humor, and the music reminds me slightly of Gabon's Akendengue, at least in the sense that it is not formulaic, relying on pop norms. Zao charts his own path, and I am happy to follow it. We'll meet again, down this path, for another installment.

Enjoy!

Pepe Kalle & Empire Bakuba - Le Tube De Vos Vacances (1990)

Are you sitting around, bored? Have some work to do and need something with a kick to get you through it? Or how about music to move your body without thought, which considering the state of the world, is something we all need occasionally?

Here is a high-octane blast of soukous from one of the style's most dynamic and popular bands, Empire Bakuba, with its great, large-as-life singer Pepe Kalle. The tepid ink was practically wet when I picked this record up in Zimbabwe; it was quite a hit at the time in Bulawayo. If you would prefer the graphics from the Paris release, you can find them at VibesDafrique here (though the track listing order is different and possibly incorrect on the Paris sleeve).

I previously posted two other Pepe Kalle albums here and here, but I know, you are after something fresh. Well here it is!

Enjoy!

Franco et le T.P. O.K. Jazz - 20eme Anniversaire (1976)

This magnificent double album was rereleased in the late '80s on two individual CDs; I have the first, and it has become as familiar to me as any recording in my collection. I love it! From the first notes of "Liberté," I was enchanted. Now that I've digitized the double set, I have double the pleasure!

While intending to post this treasure before Xmas or New Year's or Kwanza or whatever holiday you may observe, ordinary life thwarted my goal. I did refer to the wonderful Aboubacar Siddikh YouTube channel to supplement the metadata on these tracks. I encourage you to read more informed analysis of this recording there, where you may also stream the songs.

Enjoy LP1 and LP2!

You may have noticed that I love the music created by Franco and the incredibly talented host of musicians who participated in T.P. O.K. Jazz. In case you missed them, I have other Franco posts with some of his greatest records here, here, here, here and here.

Tchico - Giselle (1983)

Pambou Tchicaya Denis, better known as Tchico, came of age in Les Bantous de la Capitale, but in the late 70s left Brazzaville on a musical odyssey that would take him first to Nigeria, and then to other neighboring countries. This record captures sweet-voiced Tchico during a mid-career period in Paris, with support from a first-rate session band that included Bopol, Dally Kimoko and others.

Perhaps because of his light voice, Tchico's music seems like the champagne of rumba, not-too-serious but refreshing and pleasurable. While the cover of this album would indicate its title is the singer's nickname, excellent discographies here and here use the first track's name as the title. At one time Global Groove had this record and a treasure trove of Tchico's numerous, varied recordings. This may be a slightly cleaner version than previously available.

Enjoy!

Sound D'Afrique II 'Soukous' (1982)

By the early 1980s reggae had gained a large audience in the U$, perhaps the greatest "foreign" penetration of the music market since the Cuban wave that began decades earlier. After Bob Marley's tragic death in 1981, Island Records saw an opportunity to experiment with marketing African music, which already was ubiquitous in many European urban centers.

Among the first probes were the two Sound D'Afrique  compilations of African pop. This second volume was released in 1982, and while it is not exactly a collection of soukous, it is a set of Congolese music and three songs from nearby countries influenced by rumba. What is remarkable is that none of the musicians collected was a major star, except perhaps for the very talented Pablo Lubadika Porthos. A few months after this record was released, Island unleashed King Sunny Ade's Juju Music, completely eclipsing the Sound d'Afrique records and igniting the "world music" heyday.

This album does collect the major hits from the assorted musicians, however, and it is a pleasant listen. The opening two cuts, from Central African Republic's Lea Lignanzi and Cameroon's Mensy, are sweet, and Pablo's "Madeleina" is fine. A few individual albums from these and other musicians on the album, as well as this record itself, were once available on the excellent Global Groove site.

Enjoy!

Le Grande Maître Franco et son Tout Puissant O.K. Jazz - Mario (1985)

After a prolonged silence catalyzed by flooding and extended by beginning a project to digitize my CDs, I owe you the sublime. Mario has been my favorite Franco et le T.P.O.K. album since it first appeared: A real treasure. The title track is one of Franco's major hits, but all three tracks on this album are great.

"Mario" is the perfect Madilu/Franco symbiosis, the two trading verses and both singing with incredible soul. This album was recorded during golden years where T.P.O.K. reached a pinnacle of tightness and power. Words do not really suffice.

This is a pristine pressing, so for a limited time a FLAC version is referenced in the comments.

Enjoy! 

A kind reader informed me that I had the wrong song titles for Side B on this album; I relied on an internet database because I only had the cover images with me, while I processed the sound file and post, and I mistakenly used the song titles from the first "Mario" album. It's not my first mistake, nor will it be my last. Below is a photo of the B-side label, so you can grab the correct titles.

There are a couple of YouTube videos with the band performing "Mario." Here is one I enjoyed:

L'Afrique Danse No. 4 (1966)

It pleases me to cap my L'Afrique Danse offerings with this superb record featuring "the voice of lightness," Tabu Ley Rochereau. This album collects hits from Orchestre African Fiesta National, Rochereau's branch of African Fiesta after he split up with Docteur Nico in 1965. Sometimes calling themselves Le Peuple, the band included a young Sam Mangwana on vocals.

The album begins with Rochereau's a cappella voice, and in each tasty rumba it is clear both why he is considered among the elite few singers in Congolese music history, and why he emerged and remained a star, decade following decade. I cannot recommend this album highly enough; it is a true classic, exceptionally preserved.

Enjoy!

For a comprehensive collection of Rochereau's profound musical contribution, search for Stern's two relatively recent "Voice of Lightness" double CDs.

Note: While some may find pops and cracks a nostalgic bonus in records, I prefer as little separation as possible between the music and myself. Happily, the sound on this record was about as good as it gets, without me having to do anything to restore it. Perhaps someday I'll post my procedure for achieving the best sound I can in digitalization, in case anyone is interested.

L'Afrique Danse No. 3 (1966)

Finally following up on my earlier post of No. 2, here is the splendid L'Afrique Danse No. 3 that features wonderful, formative Congolese rumba. Side A has delicious songs by Kalle and Kwami, and easily heard in their singing is the impact they had on the up-and-coming Rochereau.

Side B has a quartet of strong songs from Orchestre Negro Success, and a rare, lovely couplet from Robin (Albert Missia) and Orchestre Los Angel, including the sublime cha-cha-cha "Kawa." This offering comes from nearly pristine vinyl, so please immerse yourself.

Enjoy!

Quatre Etoiles - Dance (1985)

Early this year I posted 6 Tubes from this supergroup, before calamity befell many blog colleagues. I had this great record queued, but at the time it was available on Global Groove and I deferred. Dance is one of the most tasty Quatre Etoiles records, in my opinion, and one of its earliest.

So to fill in one of the gaps in the GG cloud library, here is a Zimbabwe pressing of this classic, complete with its marginal sleeve art. You can read more about the band in my previous post.

Enjoy!

Ndombe Opetum - 20 Ans de Carriere (1989)

I have been on the road lately, in more ways than one, so have been unable to post regularly. Yet I did learn with sadness of the recent demise of Ndombe Opetum, via the inimitable World Service blog. I highly recommend you go there for a complete biography, pictures and a video.

While I cannot offer any deeper information about "Pepé", I can offer in tribute some music from the masterful composer/singer, who was such a presence in both Afrisa and T.P.O.K. Jazz over many years.  Today's record, on the Anytha-Ngapy label, presents two long medleys of Opetum's memorable songs.

Sadly I lost track of the album, so the (pristine) recording here is from the first-play copy I made years ago on a metal cassette. Unfortunately I have no information on the other personnel involved in this tasty session. Perhaps others could enlighten us in the comments?

Enjoy!

Le Grand Maitre Franco - Attention Na SIDA (1987)

What better album to begin a second year and the second hundred posts than this masterpiece from the grand Franco Luambo? The long title track is a polemic and a protest, an outcry and a public health message, a heartfelt entreaty to the world to beware the scourge of AIDS. One cannot listen to Franco singing, with more emotion than ever before, without being moved. His outrage thunders forth with the authoritative voice of a god, while ache and despair are just below the surface. Two years after producing this tremendous recording, Franco would die of the dread disease.

Recorded in Brussels while on business without his band, Franco recruited members of Victoria Eleison to back him. The music absolutely sparkles. While the first magnificent moral diatribe carries a message, the two songs on the flip side are built to move the body. The Checain song "Mpo Na Nini Kaka Ngai?" swings with a retro feel, while the more concise "Na Poni Kaka Yo Mayi" carries the youthful energy of the Langa Langa generation. Feast and . . .

Enjoy!

L'Afrique Danse No. 2 (1966)

The L'Afrique Danse series is without doubt the most important, early effort to catalog and preserve the extraordinary musical ferment occurring in the two Congos during the 1960s. This second in the series is dominated by early hits by Rochereau with African Fiesta, and the Rochereau tracks are truly wonderful. Yet there is also one killer song from Kalle, crooning with a Latin swing, and two sweet songs from Jean (Johnny) Bokelo with his band Conga Succès. The album ends with two songs from Orchestre Los Angel, an obscure band in the O.K. Jazz mold led by Albert Missia, aka Robin.

This is a wonderful record with sublime music, and it has appeared elsewhere on the 'net. Yet this is a relatively pristine copy, suffering from a couple of original recording issues (especially on the Los Angels cuts), but thankfully free from defects caused by playing it over and over. Which, by the way, is your fate once you have this in your library. I have excellent copies of Nos. 3 & 4 as well, and will queue them up.

Enjoy!

Choc Stars - Awa et Ben (1986)

Here is the Siamese twin to my last post, delayed by two feet of snow and then 5,000 miles of flight. I believe this record comes from the same recording session as the one below, and have always felt that the strongest songs of the session were chosen for the first Shock. The Choc Stars are no less impressive on this record: the singing is impeccable, the guitars are splendid (who are they?), and the rhythms rockin'.

So have a listen, and see what you think. Are these songs weaker, or did I just tire of the formula after eight long songs on two records?

Enjoy sometime soon!

Choc Stars - Choc=Shock=Choc (1986)

The Choc Stars were one of the descendent bands of the extensive Zaiko Langa Langa family, formed in 1983 by Bozi Boziana and Ben Nyamo. During the mid-'80s wonderful singer Matumona Defao Lulendo joined, and a number of wonderful albums resulted. The pioneer "world music" label GlobeStyle, which had an exquisite ability to find and publish essential music from Africa and beyond, licensed two 1986 Afro Rythmes records, for nearly simultaneous UK and U$ releases. This spectacular record is one, and the other is queued for imminent posting.

One of my colleagues at The Beat, the Congolese music expert Martin Sinnock, devoted one of his first column's to the Choc Stars, and I recommend reading it here. Though none of the musicians are credited on the album sleeve, Martin identifies Koffi Olomide as a guest on this session. The harmonic singing throughout this record is fabulous, especially notable on "Lieven" and "Santa." The guitarists are great. Anyone who has further information on musicians, please share in comments. Others, just immerse yourself and...

Enjoy sometime soon!

Pepe Kalle - Pon Moun Paka Bougé (1989)

Happy to fill a request, here is one of Pepe Kalle's fine albums with the tremendous title track "Pon Moun Paka Bougé." Without doubt this is one of the most danceable soukous hits of all time, always filling and animating the dance floor. With dual guitars of Diblo Dibala and Dally Kimoko, the drumming and percussion of Komba Bellow, and the grand voice of Kalle himself, this is a classic album.

Two of the tracks were collected on Globestyle's long out-of-print Pepe Kalle sampler CD, Gigantafrique, including Pon Moun Paka Bougé, but after digitizing this vinyl I can say that especially on that cut the sound is vastly better than the CD version. There is more definition, especially noticeable with the guitars. Not all is perfect on this record, though: there is some surface noise on the second cut, "Djarabi - Adjatou." Kwassa kwassa!

Enjoy!

Franco et le T.P. O.K. Jazz - Presents Madilu System (1985)

This post is made in solidarity with Moos at Global Groove, who has had such a huge positive impact on so many lives around the world. His unselfish sharing of exquisite music abandoned by commerce - music in danger of being lost forever, of becoming extinct - inspired me to create this blog, while also enriching my life. Global Groove has been crippled, hopefully temporarily, by the rampant wave of censorship threatening a free internet.

Franco needs no introduction to you, so let me simply say that this is, in my opinion, one of his best records. I was going to save this record for my upcoming 100th post along with a FLAC version, since it is an exceptionally clean pressing, but this important recording is gone from GG now, and I thought I should not delay making it available here. Get it while you can! The FLAC version will have to wait: the one I had uploaded to Megaupload is gone  is now available. Until it isn't!

Enjoy! or FLAC!

Quatre Etoiles - 6 Tubes (1987)

Add Syran Mbenza to the personnel in the last post, et voila! Quatres Etoiles, the fantastic all-star band that proved to be the gold standard for soukous through the 1980s and early 1990s. Besides the other Four Stars, Bopol, Wuta Mayi and Nyboma, this album has awesome lead guitar from Dally Kimoko on two Nyboma-penned cuts, "Omba" and "Samba."

While Quatre Etoiles recorded in the increasingly technology-drenched Parisian environment, their soukous retained the feel of classic Congolese rumba. How could it be otherwise, since these grand veterans had diverse, influential participation in many of Congo's seminal bands?

Two great sources for information on Quatre Etoiles and many other bands are Frank Bessem's Musiques d'Afriques and Gary Stewart's web version of his excellent Rumba on the River. Global Groove has a good copy of Quatre Etoiles' 1985 recording, Dance, so I will not need to post mine.

My copy of this record comes from a Zimbabwe pressing, and the album sleeve is pretty basic. I found the original cover on the net and posted both of them, for your amusement. Luckily the sound quality is nearly perfect for this very fine album.

Enjoy sometime soon!

Nyboma - Doublé Doublé (1984)

With Bopol as the thread, let's take a listen to Nyboma from his 1981 release (reissued by Rounder for US distribution in 1984). Recorded in Togo's Studio Cineato, this album was a massive hit, and one of the first Congolese records to be marketed in the US and Canada.

Nyboma is backed by his band Kamalé Dynamique, which features Dally Kimoko on wonderful lead guitar, Bopol on bass, and Ringo Moya on drums. Nyboma, of course, is one of Congo's greatest singers, having played a key role in many bands for four decades. His performance on this album is as sweet as any of his recordings.

Coming in the wake of Sam Mangwana's African All Stars, the rumba on this album is stretching its boundaries with the incorporation of other West African influences, including highlife. Preceding the explosion of full-charged soukous by a few years, this release retains the charm of classic rumba. Side A of the album is compiled on the excellent Stern's Nyboma collection, Nyboma & Kamalé Dynamique, which is still available, but here is the entire set.

Enjoy!