Most of the songs on the album draw from the traditional repertoire, but there also are a couple of short Konte originals. Though the sleeve notes give few details about the recordings, they appear to have been made primarily in a home setting; crickets can be heard on a few tracks. One praise song is performed by the Konte family for a benefactor, possibly in that person's compound. Reading the sleeve notes, which I recommend (included in the download folder), makes one realize how tentative its release was: Song notes try to relate the music to other, more familiar music already available in record shops, like flamenco and blues, foreshadowing the "world music" marketing push that occurred a decade later.
I present this historic and enjoyable album to offer some peace, in contrast with the patriotic hype that permeates this weekend (and era).
Here is a lovely tribute film, also done by Marc Pevar, which gives much information about this seminal musician and his culture. If you go to the actual YouTube page, Pevar discusses Konte's time in the U$ in detail.
2 comments:
Thank you for this.
Thanks for the opportunity to hear this respected master. It leaves me confused: I realise the recordings are pretty improvisational and/or 'casual' but I felt his grasp of transition between figures/motifs was pretty clumsy compared to what we've come to expect from Ballake Cissoko or Toumani Diabate. Is this just a sign of the 40 years since 1973, and increased 'professionalism' of the artists, increased sophistication in the rceording studio? I don't know. (I was struck, watching the Staff benda Bilili documentary on DVD, by the high standrards they set themselves in the recording studio even in the earliest sessions.)
Still, as you say an important historic document. Thanks for this one, even if I have been rather negative about it!
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