Big Youth – The Chanting Dread Inna Fine Style (1982)

One of the most distinctive voices in roots reggae was that of iconoclastic deejay Big Youth. Before its deep submergence in Studio One material, Heartbeat Records drew on Big Youth for several of its first releases. Chanting Dread is the second, and like the others, it benefits from the participation of the cream of reggae musicians. The sometimes spare and always crucial rhythms are masterfully ridden by the vocal improviser.

This collection compiles singles recorded in the 1970s by Big Youth's Negusa Negast Records, but it was released at a time when his popularity had waned significantly in Jamaica. Thirty years later, it's great to step back into the "golden jubilee" of reggae.

Enjoy!

José "Zeca" Afonso – Cantigas do Maio (1971)

Zeca Afonso continues as one of the most beloved Portuguese singers, decades after his death in 1987. During his long career, Zeca's music was the poetic expression of his revolutionary politics. Beginning his career as a fado singer, his music benefited from years living in both Angola and Mozambique, both Portuguese colonies at the time. Zeca's politics, already forged by involvement in both student and workers movements in Portugal, evolved with his observations of brutal colonial rule in Mozambique, as well as the incipient armed rebellion led by FRELIMO.

Cantigas do Maio is considered Zeca's best record, and it arguably is his most important. The B-side begins with "Grândola, Vila Morena," the song that became the anthem of the revolutionary movement to overthrow the fascist, Salizarian dictatorship that had ruled Portugal for decades. It also was used in April 1974 to coordinate the revolutionary military forces that overthrew the fascist government, in a practically bloodless coup popularly known as the Carnation Revolution: the song was broadcast on the national radio to signal the beginning of action.

While "Grândola, Vila Morena" is iconic, all of the songs on this album are powerful and memorable. Zeca's unique voice was perfectly suited for his activist role. It's a voice desperately needed now, in every language, to contend with pan-global repressive forces.

Enjoy! Then act.

Le Commandant Tchico - Full Steam Ahead! (1985)

Full Steam Ahead! describes my life pretty well at the moment, and this album from Tchico is one that fits the rhythm of activity that has kept me offline, most of the time. Straight-ahead soukous at the right time is the perfect music to get you off your butt and doing things. Dancing would be good, but that will have to wait for me.

I'm at a brief pause in what has been and will be an enormous undertaking to relocate after many years in Alaska. So over the next few days I hope to post a couple more choice albums-in-waiting. I'll also be reviewing the new, important album from Femi Kuti. I received it just days after seeing the fantastic performance Fela! in Seattle. Google "Fela on Broadway" and if the performance is within hundreds of miles, go see it: Brilliance. In the meanwhile, rock to this fine album that helped ignite the worldwide "world music" market in the mid-80s.

Enjoy!

Review: Orchestra Super Mazembe – Mazembe @45RPM Vol. 1

My knowledge and appreciation of African music has been tremendously enriched over the past few years by comrades in the blogosphere who tirelessly search for elusive treasures that appeared only on 45 rpm singles. Singles were much more affordable for consumers than albums, in Africa as elsewhere, and they also were a way for a band to quickly record and release hot new songs to waiting fans. Some really great music only appeared on 45s, and much of that has disappeared.

As rich and valuable a reservoir for lost, important music as the dispersed internet library is, it is a great pleasure when a passionate music expert collects a bunch of pristine sound and publishes it. Doug Paterson has had a fruitful relationship with Stern's for years, having produced many wonderful albums including one I reviewed on this site nearly three years ago, as well as last year's Vijana Jazz release here. This new Orchestra Super Mazembe release is, in a word, spectacular. Check this first track:



One of the premiere Congolese bands operating in Kenya during the '70s and '80s, Super Mazembe was immensely popular. A dozen years ago Earthworks issued a compilation called Giants of East Africa, which remarkably is still in print and available. Continued access to that recording reflects continuing demand; it's easily explained: There is something quite magical about how Congolese rumba evolved in Kenya, and also in Tanzania, to include new nuances. Guitars influenced by benga and other Kenyan styles, different rhythms: there is a certain lightness to this rumba that makes it extremely infectious.

The nine songs (over 77.5 minutes) collected on this album come from 45s recorded in the late '70s and the early '80s; as the liner notes describe, each song has a four-part structure allowing for revving up the dance rhythms, and for various solos. These tracks, which originally spanned the A and B sides of a 45, are happily spliced together, allowing the majesty of each composition to flow freely. I have no trouble recommending this release wholeheartedly; in fact, I have been playing it frequently since it graced my mailbox.

You can find inferior digital copies available at the usual music download stores, iTunes and Amazon, but actual CDs, with all the important liner notes, are available in Europe or from Europe. Not, to date, in the U$A. I also noticed that there is a Volume 2 on the way. I can't wait!!

Comrade Chinx – Ngorimba (1988)

After fronting the successful band Ilanga, Comrade Chinx went solo for a short time before fading out of Zimbabwe's music scene, as I wrote about when I posted his Early Hits lp a couple of years ago. Ngorimba is powered by dual mbiras, played by Robert and Thomas Ndadziira, as well as a thumping bass line. The title track was a hit, and it is indeed one of the nicest chimurenga songs I have heard. Chinx was motivated by zest for the revolution, and his choral roots and political fervor give every song earnest energy. I think the whole album is great, and I hope it positively powers your weekend.

Enjoy!

Zao – Ancien Combattant (1984)

At a time when revved up soukous was the Congolese component of the burgeoning "world music" marketing phenomenon, and when two generations of rumba bands were battling for popular hegemony in the Congo, Casimir "Zao" Zoba released this album that opens with a musical call-to-arms parody. More folkloric than soukous, the anti-war title track "Ancien Combattant" nevertheless became a hit.

Zao's songs addressed social issues with humor, and the music reminds me slightly of Gabon's Akendengue, at least in the sense that it is not formulaic, relying on pop norms. Zao charts his own path, and I am happy to follow it. We'll meet again, down this path, for another installment.

Enjoy!

Ismael Lô - Xalat (1984)

After leaving Super Diamono, Ismael Lô recorded a series of excellent albums that demonstrate his strength as a songwriter and arranger. They also exhibit both his prowess with mbalax, as well as his wonderful, soulful singing. Xalat is the first of those albums, and the cover photo reveals another unique aspect of Lô's contribution to Senegalese pop, one that augments the soulfulness: his harmonica.

Today's post reflects the breaking of a record-cleaning bottleneck that has limited my digitizing recently. This is a good way to resume.

Enjoy!

Kasongo Band - Gejo (1990)

Here is another splendid recording of chimurenga from Zimbabwe's golden treasure chest. The Kasongo Band formed in exile in Tanzania during the liberation war, where other East and Central African music styles influenced their music. During an extended guitar break in the last song, for example, a band member invokes the Congolese animation "kwassa kwassa." While the harmonious singing is solid throughout this album, it's the intertwined guitars that propel the music at breakneck speed, making it impossible not to kwassa kwassa.

The band name on the back of the sleeve is Knowledge Kunenyathi and Kassongo Band, highlighting a leader of the band who struck out on his own shortly after this record was cut. I suggest putting it into your library, turning it up loud, and then going to the useful Music of Zimbabwe site for a little more information about the band.

Enjoy!

Bonga - Kualuka Kuetu (1983)

The sun is flooding through the windows, and one might imagine that the palm trees behind Bonga on the album sleeve are just in reach. Spring is indeed here, though the two feet of snow over the weekend and this morning's -18° F thermometer reading have dampened any enthusiasm for its arrival. Still, the fluffy white stuff, the work in moving it out of the way, and the abrupt cold have kept me off my bike, letting me focus on music and a few other important things.

Listening to Bonga is always such a pleasure. Weaving Angolan folk music with influences from other lusophone countries' cultures. Threads from Cape Verde, Brazil and Portugal abound, but where do they originate? There has been such coevolution of music that those threads are found in the music of each of those countries.

This album, from relatively early in Bonga's long career, alternates between ballads and dance-oriented sembas, with a few surprises. The birimbau in "Pió-Pió" is delicious. Listening to this great, uplifting album as I write, I realize it might not be THAT cold outside. Time to ride!

Enjoy!

PS. This is the third Bonga album I have had the pleasure to digitize. The others can be found here!

Oku & AK7 - Pressure Drop (1984)

When I read WorldService's eloquent, recent post describing the surreal politics in Italy, without even mentioning the sublime and sordid fiasco in the clerical state-within-a-state, and depicting corruption in the Netherlands, where politicians in bed with financiers are fleecing the ordinary taxpayer, it made me think of this country, the U$A. How normal, how absolutely mundane, in comparison. Here our enlightened government has a very hard time deciding whether it has the right to murder its own citizens on our own soil. Whether or not it is okay to have a drone bomb a cafe to kill a U$ citizen who may be reading something objectionable online, or chatting with relatives in Pakistan via Skype. You know, those imminent-threat characters. Collateral deaths (deaths of the innocent) are regrettable, of course. Executing people anywhere else in the world is fine, naturally, so be careful who you are sitting next too! Our eminent president already has assumed authority to kill anyone he deems to be a threat to the U$, theoretically even someone who may have voted for him, believing he would bring a more humanitarian approach to the world's most powerful office. What gives him this right? Legal arguments that are classified and therefore hidden from the citizenry.

As I contemplated the gloomy state of reality, I happened to digitize this record of scorching dub poetry by the "grandfather" of the art, Oku Onuora. His first poem "A Slum Dweller Declares," written from prison, begins:

We wan fi free, free from misery, we want to live like human beings.

That powerful poem is followed by ten more uncompromising ones, mostly set to tough riddims and tight instrumentals. Anyone familiar with the music of Linton Kwesi Johnson will feel at home in this rich, provocative environment. A hard life informs Oku's cry for justice, and passion drips from his voice. In these days of callous, imperial governments around the world, and exquisitely manufactured apathy among entire populations of consumers, this music has never seemed more essential. Where are today's militants? Not the ones motivated by delusional belief systems, but those seeking justice?

Listen!

Pepe Kalle & Empire Bakuba - Le Tube De Vos Vacances (1990)

Are you sitting around, bored? Have some work to do and need something with a kick to get you through it? Or how about music to move your body without thought, which considering the state of the world, is something we all need occasionally?

Here is a high-octane blast of soukous from one of the style's most dynamic and popular bands, Empire Bakuba, with its great, large-as-life singer Pepe Kalle. The tepid ink was practically wet when I picked this record up in Zimbabwe; it was quite a hit at the time in Bulawayo. If you would prefer the graphics from the Paris release, you can find them at VibesDafrique here (though the track listing order is different and possibly incorrect on the Paris sleeve).

I previously posted two other Pepe Kalle albums here and here, but I know, you are after something fresh. Well here it is!

Enjoy!

Jonah Moyo & Devera Nqwena - Taxi Driver (1987)

During the peak popularity of the Bhundu Boys, and a few years before the band and his own personal delamination began, Biggie Tembo lent his endorsement to this British production of Jonah Moyo & Devera Ngwena. "If there was any group to be where we the Bhundus are, then I would look no further than Devera Ngwena," Biggie proclaims on the back of this album. Unfortunately the band did not achieve the ephemeral international fame of the Bhundus, but its prolific output of infectious dance music made it very popular in Zimbabwe. In 2011 I posted one of Devera Ngwena's later records here.

I'm not sure if this record is a reissue of a 1985 Zimbabwe release, or if it also collects various hits like "Too Cheap" from earlier records. In any case this was a blistering international release, and if you missed it then, you can enjoy it now.





P.S. I processed this sound file on the road and attached the front and back record sleeve images from discogs. If you would like higher resolution scans, email me.

Oliver Mtukudzi - Zvauya Sei? (1986)

Oliver Mtukudzi's rich voice and unique musical style have made him popular throughout the world. "Tuku Music" draws from Shona, Ndebele and South African roots that made it broadly accessible. Wikipedia lists fifty-five albums in Mtukudzi's discography, and many of those from the second half of his career were international CD releases. With his tireless touring and prolific song writing, he became a darling of the world music industry. For awhile the CDs came so frequently that each one seemed routine.

This record is from relatively early in Tuku's career, when his popularity in Zimbabwe was ascendant. I prefer it to some of the later, slicker releases, though the intimately familiar sound is essentially the same. By the way, earlier I posted a great live set from Tuka here.

Enjoy!

Zvishavane Sounds - Mutongi Gava (1987)

One of the many ephemeral Zimbabwean bands, Zvishavane Sounds sprouted in a mining community with this powerful album featuring the title track hit. Led by Joseph Mutero, this band is a great example of the high energy guitar music paired with great singing that characterized Zimbabwean pop music of the era. This is one of a pile of records I collected in Zimbabwe in early 1991, one of my favorites. I could discover little about this band apart from an interesting insight, including the names of the musicians, here.

Enjoy!

P.S. Sorry for the absence. After being away from home for a while unexpectedly, we'll get back on track with a few from Zimbabwe. And thanks to Tony, for giving me a more focussed date! I confirmed it with the record label when I dug it out.

Franco et le T.P. O.K. Jazz - 20eme Anniversaire (1976)

This magnificent double album was rereleased in the late '80s on two individual CDs; I have the first, and it has become as familiar to me as any recording in my collection. I love it! From the first notes of "Liberté," I was enchanted. Now that I've digitized the double set, I have double the pleasure!

While intending to post this treasure before Xmas or New Year's or Kwanza or whatever holiday you may observe, ordinary life thwarted my goal. I did refer to the wonderful Aboubacar Siddikh YouTube channel to supplement the metadata on these tracks. I encourage you to read more informed analysis of this recording there, where you may also stream the songs.

Enjoy LP1 and LP2!

You may have noticed that I love the music created by Franco and the incredibly talented host of musicians who participated in T.P. O.K. Jazz. In case you missed them, I have other Franco posts with some of his greatest records here, here, here, here and here.